Stand by · pulling the latest frames
Stand by · pulling the latest frames

"Big Joe" Roberts, as he was known in vaudeville, toured the country with his first wife, Lillian Stuart Roberts as part of a rowdy act known as Roberts, Hays, and Roberts. Their signature routine was called "The Cowboy, the Swell and the Lady." At this time, in the first decade of the twentieth century, Buster Keaton's father, Joe Keaton, had started a summer Actors' Colony for vaudevillians between Lake Michigan and Muskegon Lake in Michigan. Roberts became acquainted with the Keaton family as a member of this community. When Buster Keaton's film apprenticeship years with Roscoe "Fatty" Arbuckle came to an end, and Keaton began making his own shorts in 1920, he asked Roberts to join him. Roberts' hefty 6'3" frame, usually playing a menacing heavy or authority figure, made a striking and amusing contrast to the thin, 5'6" Keaton.
6.1The Paleface
1922
7.2The Goat
1921
7.1Neighbors
1920
6.8Three Ages
1923
6.9Hard Luck
1921
7.9One Week
1920
7.2Cops
1922
7.5Our Hospitality
1923
6.6The Blacksmith
1922
6.7Convict 13
1920
6.5Day Dreams
1922
6.6The Haunted House
1921
7.5The Scarecrow
1920
6.8The Play House
1921
6.2The Frozen North
1922
7.0The Misfit
1924
6.2My Wife's Relations
1922
7.0Little Lord Fauntleroy
1921
6.8The Electric House
1922
6.7The Primitive Lover
1922