Stand by · pulling the latest frames
Stand by · pulling the latest frames

Engaging character actor Cliff Emmich first began acting on stage. Veteran character actor Keenan Wynn advised Emmich to enroll at the Pasadena Playhouse. He studied at the Pasadena Playhouse for eight months. Emmich then toured the country with the American Repertory Players and spent a summer performing in summer stock at the Pink Garter Theatre in Jackson Hole, Wyoming. He made his film debut in Gaily, Gaily (1969). Later memorable roles were as a coroner in Invasion of the Bee Girls (1973), as sexist jerk business executive who insults Yvette Mimieux at the beginning of Jackson County Jail (1976), as a bumbling small town deputy in Barracuda (1978), as the ill-fated hospital security guard Mr. Garrett in Halloween II (1981), as an asylum doctor in the trashy Hellhole (1985), and as a small town sheriff in Digital Man (1995). He has appeared in such television shows as Crossing Jordan (2001), Walker, Texas Ranger (1993), Nash Bridges (1996), Coach (1989), Baywatch (1989), Murder, She Wrote (1984), Knots Landing (1979), Night Court (1984), Hunter (1984), Riptide (1984), Simon & Simon (1981), CHiPs (1977), Knight Rider (1982), The Incredible Hulk (1977), Vega$ (1978), Fantasy Island (1977), Happy Days (1974), Little House on the Prairie (1974) (this is one of Emmich's favorite parts), Charlie's Angels (1976), Baretta (1975), Police Woman (1974), and Starsky and Hutch (1975). He is a member of both the Academy of Motion Picture Arts and Sciences and the Academy of Television Arts and Sciences.
6.1...All the Marbles
1981
4.5Inspector Gadget
1999
6.6Halloween II
1981
6.5MouseHunt
1997
6.8Thunderbolt and Lightfoot
1974
6.0Best of the Best 2
1993
6.7The Macahans
1976
4.9Hellhole
1985
5.7Stingray
1978
5.2Holiday Road Trip
2013
10.0Slither
1974
5.2Return to Horror High
1987
5.6Jackson County Jail
1976
4.6Invasion of the Bee Girls
1973
4.2Barracuda
1978
5.1Legalese
1998
7.0The Streets of L.A.
1979
5.2Undercover with the KKK
1979
7.6Our Time
1974
5.4The Feminist and the Fuzz
1971