Stand by · pulling the latest frames
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Park Chan-wook (Korean: 박찬욱; pronounced [pak̚tɕʰanuk̚]; born 23 August 1963) is a South Korean filmmaker and former film critic. Widely regarded as a leading figure in South Korean and 21st-century world cinema, he is known for films that blend crime, mystery, and thriller elements with other genres. His films are noted for their cinematography, framing, black humour, and often brutal subject matter. After two unsuccessful films in the 1990s, which he has since largely disowned, Park came to prominence with his acclaimed third directorial effort, Joint Security Area (2000), which became the highest-grossing film in South Korean history at the time and which Park himself prefers to be regarded as his directorial debut. Using his newfound creative freedom, he would go on to direct the films forming his unofficial The Vengeance Trilogy: Sympathy for Mr. Vengeance (2002), a financial failure that polarised critics, followed by Oldboy (2003) and Lady Vengeance (2005), both of which received critical acclaim and were financially successful. Oldboy in particular is regarded as one of the greatest films ever made, and helped establish Park as a well-known director outside his native country.
7.5Sympathy for Mr. Vengeance
2002

Plankton Salesmen
2017
5.5Ari Ari the Korean Cinema
2012

Mr. Kim Goes to the Cinema
2026
6.3Crush and Blush
2008
5.0Snowpiercer: Transperceneige, From the Blank Page to the Black Screen
2014
6.6Old Days
2016
6.0I Haven’t Done Anything
2023

Two Or Three Things I Know About Kim Ki-young
2007

Katanas, yakuzas y cintas de video
2004
5.0Müdigkeitsgesellschaft: Byung-Chul Han in Seoul/Berlin
2015

Kultur-King Korea
2022

The Process of Mr. Vengeance
2005

Through Korean Cinema
2010
10.0Han Kang Chronicles: A Tale of Seven Lives
2025
10.0Making of The Handmaiden
2018

The Making of Lady Vengeance
2005

Mascara
1995

Autobiography of Oldboy
2004

Making of Thirst
2010